Digital displays change and move along its length, creating unique views throughout the seating bowl. But HOK rethought that too, creating what it calls the ‘halo board’, a six storey-tall, curved screen ringing the circumference of the roof opening.
The stadium does still contain a jumbotron. The rest of the stadium contains eight triangular steel and glass sections whose angular sides echo the logo of the Atlanta Falcons, and create a stunning imprint on the Atlanta skyline.Īerial render by night with the skyline of Atlanta on the horizon The roof’s lightweight ETFE membrane allows natural light to filter inside, as does the building’s ‘Window to the City’, a floor-to-ceiling glass curtain wall that directs views east toward Downtown Atlanta. ‘We thought, “What if we created a roof that opened from the centre and moved away?”’ Another inspiration, it turned out, was the Pantheon in Rome, whose central oculus was designed to focus light, and attention, on the emperor’s entry. ‘The most important spot on the football field is the 50-yard line,’ says Johnson. The apparatus – emblazoned, of course, with the Mercedes-Benz logo – can open or close in about ten minutes.
The signature of the new facility, located just next to Atlanta’s Georgia Dome on the western edge of Downtown, is its ‘Ocular Roof’, which features eight ETFE-clad petals that slide past each other simultaneously on steel trusses, simulating an opening flower or camera aperture, and eliciting more than a few gaping expressions. The front porch view of the stadium from the north That is, until the opening of his firm’s Mercedes-Benz Stadium in Atlanta, home to the Atlanta Falcons football team and Atlanta United FC soccer team. American Sports stadiums have a long history of innovation, including the world’s first retractable roof sports stadium (Pittsburgh’s now-demolished Civic Arena, 1961), the first multi-purposed domed stadium (Houston’s Astrodome, 1965), and North America’s first retractable grass field (University of Phoenix Stadium, 2006).īut with few exceptions, that spirit of innovation has experienced a lull, according to HOK design principal Bill Johnson, brought on by a sense that nostalgia, luxury boxes, and larger and larger jumbotrons have become more important than spectacular design.
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